Front Yard: How to Get the Writer’s Flow and Keep It!

front yardFirst, can I squee at the Once Upon a Time season finale? It’s my guilty pleasure, what cantumblr_inline_n5h7s5FpSi1qgf4wj I say, but I loved it.

The Hook and Emma stuff was great. Hook being all jealous of his old self kissing Emma was played so well, for laughs but to also show us how Hook has changed, so much so, he hates the idea of his old self smacking on Emma! Their kiss at the end melted my bones 🙂 I was kinda irritated with how they twisted Regina once again, getting her romance messed up, this time by Emma instead of Snow. I mean, she did jail, and possibly kill Marian, did she not?

I started watching Fringe on Netflix and I’m surprised I haven’t watched it before. I’m only on season one (can’t binge watch too much with my third book to finish). While it definitely has an X-Files vibe, J.J. Abrams (is he like taking over the world of Sci Fi or what?), Orci and Kurtzman have created an original premise with tapping into alternate realities and experimentation on people. And of course, we have Denethor, Steward of Gondor, as Walter (John Noble), and Pacey (Joshua Jackson) as Peter. What more do you need? John Noble is great as the nutty Walter. I definitely like the Altered States aspects and am looking forward to seeing some of the alternate universe stuff.

So The Flow…

I suffer from constant writer’s block and flow issues. A while back, when starting the second book in my necromancer series, I sat down and expelled the first ten pages of the book. It was truly amazing. I have yet to repeat such a feat. Now, the inspired moments tend to produce about two to three pages, but I’m not complaining.

What is the flow? In this podcast from the Accidental Creative, Steven Kotler (link to podcast below) describes it as an optimal state of consciousness where the self vanishes and creativity is amplified. In typing those ten pages, I felt like I was dictating words flashing past my brain. I think many writers would describe the flow in the same way, just dictating. Somehow, when the flow happens, we’ve deactivated the frontal cortex which controls the pesky and sometimes nasty inner critic.

But is the flow something that happens by chance, the ship passing in the night, or can we trigger it somehow? Well, good news. The answer is yes! (according to Kotler) Continue reading

Writing a Book Series – Book One as Act One

I’ve wanted to write a series about writing a series 🙂 for a while now, partly because I’m stumbling along, learning as I go, and find that in posting and sharing, I’m learning from others and from the process. I’d love to hear what other writers have learned about writing a book series. Please share your insights, tips, and frustrations, if any. Or, as a reader, things you like or don’t like about book series.

The Necromancer’s Seduction is Book One in a three book Urban Fantasy series. It’s my first book. My first series. Sometimes I wonder what the hell I was thinking. But I guess I wasn’t thinking when the story came, just writing.

Disclaimer: I’m speaking from my experience of writing my series and what worked or didn’t work for me. Everyone has different writing styles and different stories, but that’s also why it’s very cool to hear about people’s different approaches.

There are also many different types of book series. Some are connected by the world and characters, but each book is a book unto itself. The next book in the series may take place in the same world, but may feature different characters facing a separate challenge. Or vice versa. Same characters, different world. And many variations in between.

My series is set in the same world throughout, with the same characters, and has a major story arc that will only get resolved in Book Three. So my Book One has a plot (or in reality a subplot) that gets resolved at the end of Book One, but it ties into and hints at the major story arc that builds and builds until it culminates in Book Three. Think Harry Potter. Each book deals with Harry discovering something about himself and his wizard skills, and resolving one specific threat, but the Voldemort story hangs and builds over everything that happens, influencing things in subtle ways, until the final battle at the end. For example, we don’t learn about Harry being a horcrux until the very end although we are given clues.

I wrote Necromancer Seduction-Book One-with maybe a smidgen of thought to the end of Book Three. And now, after writing the first draft of Book Two and starting Book Three, I’ve altered my mythology some as my characters reveal things to me, and as I develop the story. In hindsight, I wish I would have plotted out my entire series before starting Book One, but my brain is just not wired that way. The story for Book One came out as it came out.

However, despite the changes in my mythology, I’ve made very minor tweaks if any to Book One, and it hit me. I had written Book One almost like it was Act One of the Three Act structure, but for my major story arc. It’s an arc within an arc. Yikes. I do better with diagrams. (Here’s my high tech graphic 🙂

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It’s helpful to review the purpose of the Act I or first chunk of a book. Usually, an author introduces the main characters, the basic plot, clears up any important action or events that occurred before the book began, maybe introduce a subplot or two, and some basic clues. And usually, the first chunk ends with a major action scene or complication that carries the story into the second chunk. (Sometimes sagging middles occur because too much was given away in the first chunk.)

What really made me realize that I had treated Book One of my series like the first chunk was that I hadn’t given too much away. I introduced the main characters and gave some insight into their background, but not everything. (For example, my hero Ewan has a major back story problem that impacts his life immensely and I’m not telling what it is until Book Three, although I provide some hints along the way.) I did slip in some basic clues about the world and past events that are important to the overall story arc in Book One, but I’m talking slivers because more wasn’t necessary. The rest comes in the subsequent books.

With Book Two, I reveal lots more, like an Act II. The purpose of Act II or the second chunk: add more complication, grow the seeds planted in the first chunk, provide new clues, expand and inform. The threads are still loose, but closing in. Usually, the second chunk ends with a bigger bang, but we don’t know how things will work out. And in the third and final chunk, pacing increases because we are solving problems and tying everything together. That’s basically how Book Three is panning out. A rush to the endgame, which was mostly revealed in Book Two. There are a few more surprises in Book Three, but it’s basically a race to the finish line.

Using the Three Act structure as a lens to view my three books helped me organize my series in my head, and how much to reveal in each book. Any thoughts and suggestions to share on how you organized/structured your series?

In my next post on writing a book series, I’m going to discuss character arcs and relationships throughout the series.

Special Feature with Mary Buckham, Author of Invisible Recruits Series

I’m excited to have as my guest today Mary Buckham, who has released a Novella and Book One of an exciting new Urban Fantasy series, called the Invisible Recruits. I’ve had the pleasure of taking Mary’s Active Setting class via WriterUniv and learned some great methods of writing strong settings. Now a little about Mary:

Mary was born into a family of artists so as a natural story teller didn’t realize she wasMary Buckham creative until an adult. After working in the financial and media industries, as well as raising five children, Mary turned to writing and now loves creating thrills, spills and spells as she follows the ups and downs of fascinating characters starting with Alex Noziak, the heroine of INVISIBLE MAGIC, INVISIBLE FATE and INVISIBLE POWER.

Please tell us a little bit about yourself. Your interests? When did you start writing?

I wish I had a wonderful, marvelous tale of sitting down one day and deciding to be a writer but my journey didn’t start there. It started with the death of my two-month old son from SIDS or Crib Death one dark December day, a few days before Christmas. He was my fourth child and after his death I had to find a reason to get up every day and put one foot in front of another in order to take care of my other three children. When you experience such a loss you have to dig deep, really deep to discover your own core, your reason for being. For me that was writing. I felt I was meant to share stories with others and that’s what I decided to do, one page at a time, one book at a time.

Thanks for sharing that. I’m sorry for your loss. I have a four year old son and just couldn’t imagine. It’s great that writing gave you something to work through the tragedy.  

What has been one of your biggest challenges so far in your writing career?

Never learning how to type. <sigh> When I was in high school and college women were pressured into learning how to type so they could be efficient secretaries and assistants. Since I didn’t want to be either I figured if I didn’t learn typing I would be forced to explore other avenues more in line with my Type A personality. So I still hen peck my way through manuscripts. In my next life I’ll learn how to type so I could finish twice as many books!

LOL. I’m not a good typist. One thing I know for sure is you can teach 🙂 How does teaching help you with the writing craft?

We’ve all heard the old adage, those who can’t teach. That’s a bunch of bull-larkey! I think those that teach have the ability to learn and keep on learning and that’s the most amazing gift! I was not trained to be a teacher but found that in sharing what I’ve learned, usually through trial and error, and helping others I have connected with the most amazing writers worldwide. And these are writers of all genres and at different stages in their careers so the give and take of the learning/teaching process is amazing! If I could live two lives simultaneously and had an extra 24-hours a day I’d write full time and continue to teach full time and love both equally.

What type of scenes do you enjoy writing the most?

Action scenes. Maybe it comes from raising five kids. Give me a good skirmish that’s fast-paced and creates winners and losers and I’m in heaven. But I love dialogue scenes too, and scenes rife with sexual tension. Wow, this was a harder question than I realized 🙂

Yes, with kids, you’re constantly on the move :). Let’s talk about your Invisible Recruits series. When I read about it on your website, I had so many interesting questions pop in my head. Let’s start with what made you decide to expand the concept for Invisible Recruits from an original story of everyday women brought together to fight international threats, to one where they have extra abilities?

I love the theme of self-discovery for women. Many of us are so defined by our roles in life—daughter, sister, friend, wife, mother, volunteer, employee, etc.—that we can easily forget or never realize our own potential.  That’s where the core of the stories started. Everyday women who have a little extra something-something but have hidden or ignored their abilities until tapped to be part of this secret organization. So these women start from a certain self-identity; hairdresser, debutante, temp worker, con artist and kindergarten teacher and expand that into a secret agent status and then have to embrace their otherness until the women they are becoming are nothing like the women they were. Continue reading

Today’s Guest Shanyn Hosier talks MMF Relationships

I’m excited to feature Shanyn Hosier on my blog today, not just because she’s a good friend, but because of her unique book series that features a menage relationship. I’ve never delved into a book featuring a MMF relationship, but find the story of these characters very intriguing and have added the series to my to read pile.Shanyn Hosier, Desert Menage

It’s Tricky With 3: My Unconventional Ménage Trilogy

Being the focus of two partners at once is a familiar sexual fantasy for both men and women. All those hands and mouths must bring double the pleasure, and two like-minded lovers ought to double the romance, right?

Ménage romances are hardly news. They’re a growing sub-genre and boast a loyal following of readers. What’s so “unconventional” about my stories, you ask? A few things, I think… Continue reading

Monstrous

If you’re a fan of dark fantasy, Grimm type fairytales, or Guillermo del Toro, I highly recommend the movie Pan’s Labyrinth. One of the many things that has stuck with me in addition to the amazing visuals, haunting story, and Guillermo del Toro’s wonderful creepy creatures is an exploration of the monstrous.

In the movie, a woman marries a Captain in the Spanish army, under the new facist regime, after the Spanish Civil War in 1944. The woman is pregnant with the Captain’s child, and the Captain really only cares about his unborn child. As the mother becomes increasingly ill during her pregnancy, the young girl stumbles upon a magical labyrinth and encounters a faun-like creature, who send her on a series of trials to maintain her essence, as the faun believes she is the reincarnation of a princess of the underworld. Continue reading

Snippets – Dean Koontz

You’ll probably see a lot of Dean Koontz. I think he’s a great writer. This is from the book Lightening:

His face resembled a clown’s countenance-not the kind of clown you’d see in a circus but the kind you might run into on Halloween night, the kind that might carry a chainsaw instead of a seltzer bottle.

I mean, really? A clown with a chainsaw? I love it.

I do read more than just horror by the way. I read all kinds of stuff. I like reading Dean Koontz because I like the way he builds tension. It’s amazing really.